Breathing Room

Remember this scrap project from last fall? I made three quarter log cabin blocks with my print scraps, using every shade and pattern. It was fun and therapeutic, but once I completed the blocks, I was dismayed to find I hated how they looked together. I even wrote a post contemplating where I went wrong. After leaving them on the shelf and the mental break of working on other projects, I decided to see if I could rescue the blocks. I do not ordinarily use sashing, but I knew the blocks needed some breathing room.

The fabric I chose for the sashing is Homespun Essex in indigo (although it reads as grey to me), and I think it is just what the blocks needed. The neutral space between the crazy prints tones down the chaos just enough. I picked my favorite 45 blocks, which finish about 9 x 12, so this will be an extra long twin when I get it pieced.

Modern Strata Quilted Pillow

I used the leftover bits from my scrap solids quilt to create this cheerful, improv pillow (do scraps ever really get completely used up?). This random looking piecing is called strata, and I give detailed instructions on the technique  in a section of my book, Improvising Tradition. I never really noticed, but until now all my strata has been monochromatic. The riot of color from the multicolored scraps has a very different feel, but I think it works in small doses.
 

The quilting is an easy free motion swirl that creates such a fun, contrasting texture to the geometric piecing.

For a nice plump pillow, the cover finishes at 19 x 19 inches to be filled with a 20 inch pillow form. The pillow backing is fully interfaced and closed with my favorite finish for quilted pillows - the lapped zipper.

This happy little number is available in my etsy shop.

Metro Link Quilt 2

Who braved the freezing temps and rushing wind to snap a few photos of her quilt? This girl. The phrase about suffering for the sake art came to mind.

I'm happy with the way the quilt came out, especially the choice of backing and binding. I'd been saving the Habitat print for just the right quilt, and I love it with the bright colors of the scraps on the front.  It was begging for a solid yellow binding.

In typical Kansas City fashion, yesterday was sunny and warm. Can you believe I hand stitched the binding outside on the deck, then this?

This is the Metro Link quilt, pattern by Michelle (@ilikeorangetoo on Instagram). I made another version of the quilt several years ago.

Metrolink Quilt Top

It's a quilt top! We're in the middle of a wet, gloomy stretch of cold weather here, so a couple of quick shots by an open door will have to do. I have to say it is so satisfying to see all those neat 90 degree corners matching, and I'm still loving the bright scraps against the black essex linen.

Now on to basting and quilting. I think I will use straight line quilting to emphasize the geometric piecing.

Metro Link Progress

I've been piecing the blocks of my Metro Link quilt this week, enjoying every minute. Each block is a new chance to make unique fabric pairings since I'm working with scraps. It's been like eating candy - I want to savor each one and not rush through, because then they will be finished.

The columns came together fairly quickly, so I'm ready to assemble the top next.

A New Link

I decided to get back in the scrappy saddle with the start of a new Metro Link quilt. Boy, I had forgotten how many tiny pieces (617!) are in this pattern by Michelle. The smallest ones finish at 1 x 2 inches. Cutting the background pieces from Essex linen yardage was quick, but cutting each individual piece from scraps took the better part of the past week. Whew!

I usually enjoy sewing from scraps improvisationally because it eliminates the need for precision in the initial phases, but I have to admit that there is something very satisfying about all those neat stacks cut to precisely the right size.

I've got the first step of the pattern all lined up for a night of chain piecing. Belying its precision, this type of sewing is actually quite relaxing. Unlike every step of an improv piece, there are no decisions to be made - just methodical, soothing stitches. Sometimes, it's just what you need.

Scrap It?

Here they are - all 54 scrappy, three quarter log cabin blocks. Now I just have to decide if I want to keep them. I have thoroughly enjoyed making them, and individually they are pretty. The best part of these blocks has been the process. I loved picking strips for each one, playing with colors, and finding old fabric friends in the bin (which is still crammed full somehow).

It's just that together they are ugly - like so ugly I can't bring myself to post a picture of all of them here. It seems odd because I love other people's versions. So what went wrong? I believe it comes down to three things. First, I didn't limit my color palette. Even with scraps, I usually stick to a select few colors to ensure a harmony, as with my Scrappy Trip Along Quilt.

The same calming effect might have been achieved by using more white and low volumes too, to give the colors room to breath. Each block tells a color story I enjoy, but it's just too loud for me when the blocks are together.

My second mistake was giving no thought to color placement for the quilt top as a whole. I don't mind using all the colors, if they are in some sort of color order, like the Therapist Quilt.

Lastly, there is nothing tempering the chaos, as with a background fabric in my Midwest Metro Link. 

So, while I enjoyed the process of this project, which is frankly all I really intended, I'm not sure if I want to put any more time into the blocks or pass them along to someone who might feel differently. Another idea is to reverse engineer a color scheme by selecting blocks that do go together and making a couple of smaller quilts from those. 

Scrappy Log Cabin Blocks

I saw Jacey's blocks on instagram and got an itch to sew with my scraps. My scrap bin of random width strips has been over flowing for a while now, so this project will be good for scrap management.

The blocks (maybe called 3/4 log cabin blocks since they are just missing one side) are sewn improvisationally and trimmed to 9  x 12.

I've got 15 so far. I think I have enough scraps strips to sew a few more, don't you think? The pile wouldn't even fit in the frame, and it doesn't seem to have diminished in the slightest. The magical procreation of scraps.

Finishing a Comfort Quilt

In my previous post I covered the first steps to take to make a memory quilt. Once you're ready to create the quilt, keep a few things in mind. First, remember that the fabrics are what makes the quilt special, so pick a design that makes them the star. Using large blocks is a good strategy for creating both a fast finish and a design that allows the fabrics to be the main feature. The blocks I created are about 26 inches square, so just nine blocks makes a good sized throw quilt.

Two, with the purpose of the quilt in mind, add to the comfort factor with both the backing and the quilting style. Select a cozy backing fabric. I picked a soft flannel. You may want to quilt minimally to maintain a soft drape to the quilt, as I did. As a bonus, simple straight line quilting about every two inches is also quick to do.

Consider the feature fabrics as your select the finishing touch of the binding. Often the clothing scraps will not be large enough for binding strips, so choose a complimentary fabric. I think this mini check blends well with the other shirting fabrics.

I hope the quilt will bring up a lot of fond memories and offer some tangible comfort.

My quilt design was inspired by this fabulous quilt by Shea. Although I was unable to find the block name or a pattern, it only required some simple quilt math. I have saved you the trouble if you want to follow the instructions below.

For each block you will need:
(4) 8 1/2 squares fabric A
(1) 8 1/2 square fabric B
(1) 12 5/8 square fabric C cut twice diagonally into (4) triangles
(2) 6 5/8 squares fabric C cut once diagonally into (4) triangles

Cutting the triangles from the squares as directed rather than individually means there will be no bias edges on the outside edge of the block. Best!

Rugby Stripe Baby Quilt

I pulled out my bin of 2 1/2 inch scrap strips to make some Rugby Stripe Blocks on a bit of whim. These blocks are so quick and easy to put together, before I knew it I had enough for a scrappy baby quilt.

The blues, greens, and blacks make this version more masculine than the first, larger iteration of the quilt. I love how fabric choice completely changes the look and feel of a quilt.

I quilted it simply with my Bernina's serpentine stitch. You can play with the width of the wave and the stitch length and use the side of the walking foot to gauge distance between rows of stitching. These are about an inch apart.

The binding is a crisp navy and white stripe that should fit the nautical theme of my friend's nursery, and the flannel back will make this quilt a cozy on for her new little boy. At 41 x 55 it is a nice size to serve him through his preschool years too.

Scrappy Triangle Quilt

It seems fitting to finish this quilt in time for spring. (Well, technically it is spring, although we're expecting a bit of snow tomorrow.) The bright colors of the Anna Maria Horner fabrics are undeniably cheerful and full of life, just like the season, and the low volume prints set them off nicely.

I used 50 weight white, Aurifil thread to quilt the top in a free motion figure eight design, which I  recommend if you are new to free motion quilting or have a largish quilt to handle on a home machine. The design offers lots of places to stop and adjust your quilt without interrupting the flow of the shapes. It can also be modified to fill pieced shapes, like these triangles.

The binding is another Anna Maria Horner favorite, and the backing is a soft, white flannel.

I'm sending the quilt to my grandmother. It will drape over the back of her couch where she will see it everyday. At 54 x 71 it is also a good size to fold over her lap on chilly days. She may not remember that I made it for her, but I'll feel better knowing it's there with her although I can't be.

When Scraps Attack

 As you may recall, I finished piecing my scrappy Anna Maria Horner triangles quilt. I found a swath of white flannel for a cozy backing and got it basted. As I pondered quilting designs, it happened. The pile of scraps leftover from cutting all those triangles suddenly became irresistible. I had to stop everything and sew them into strip sets. Do scraps ever overtake your other projects?

The resulting rectangles made another set of placemats for a community service project for the year, which is a large stack of placemats for Meals on Wheels by December. These are perfect for leftover strips or blocks, paired with scrap binding and the odd fat quarter for backing.

I finished these quickly with some free motion quilting. Since the placemats will most likely be given to individual recipients, they don't need to match or be exactly identical in size. I'm eyeballing mine to be about 14 x 18 inches.

Now maybe I can get back to that quilt.