photo by Joe Hancock
In these colors, it strikes me as very Christmassy - almost like a snowflake. Happy holidays this week everyone!
Showing posts with label monochromatic strata. Show all posts
Showing posts with label monochromatic strata. Show all posts
Wednesday, December 24, 2014
Happy Christmas
Mirrored Sunset is a wall hanging from the strata section of Improvising Tradition. It illustrates just how versatile strata can be. In this project I used strata as the background for a Hawaiian applique, inspired by mid century starburst mirrors. The depth of the strata comes from the Oakshott cottons. I've used them before, and these shot cotton fabrics are just gorgeous in person. The different colored threads woven as the warp and weft create an amazing shimmer. I chose my fabrics from the Oakshott Ruby bundle.
Wednesday, December 3, 2014
Snowflakes
It's snowing! At least it's snowing in my living room with these adorable snowflake pillows. I'm feeling pretty good about checking a few handmade gifts off my list.
I made these pillows using a paper pieced pattern by Amy of During Quiet Time. I downloaded the pattern from her Craftsy store. The pattern includes the block in three sizes (6, 9, and 12 inches). The small pillow above uses the nine inch size. I finished the pillow with a self lining envelope back, using a tutorial by AmandaJean and some cute polka dot binding. The fabric on the back is Laurie Wisbrun's Brrr! from a couple of years back.
The lumbar pillow (16 x 26) uses three of the six inch blocks. I decided to quilt it with white thread, and I like how the thread blends into the snowflakes but stands out on the red fabric (Kona Rich Red), creating a pinstripe effect.
With two gifts finished, I decided to make a Christmas pillow for us to keep. I went a little crazy with my scraps and made improv letters and a strata background. It's wonky in a festive way, don't you think?
I got to play around with a new free motion quilting design I learned in a Craftsy class I'm taking by Christina Cameli. The pebbling is a fun contrast to the hard lines of the piecing, and I love the little touch the asterisk pebbles add. I'll be back soon with a full review of the class!
I made these pillows using a paper pieced pattern by Amy of During Quiet Time. I downloaded the pattern from her Craftsy store. The pattern includes the block in three sizes (6, 9, and 12 inches). The small pillow above uses the nine inch size. I finished the pillow with a self lining envelope back, using a tutorial by AmandaJean and some cute polka dot binding. The fabric on the back is Laurie Wisbrun's Brrr! from a couple of years back.
The lumbar pillow (16 x 26) uses three of the six inch blocks. I decided to quilt it with white thread, and I like how the thread blends into the snowflakes but stands out on the red fabric (Kona Rich Red), creating a pinstripe effect.
Saturday, May 17, 2014
Purple and Gray Strata Quilt
This quilt began as a pile of monochromatic strata. I often sit down and create strata (improv, crazy pieced units) out of scraps when I need a bit of mindless sewing. I added dark pink units around the lighter pink center rectangle, log cabin fashion. The unit grew to include a final round of purple.
I decided to make a quilt, as the unit was too large for a pillow. A large amount of negative space, using peppered shot cotton in charcoal, provided a nice space for some interesting quilting. I used matching aurifil thread and my walking foot to create a spiral from the center of the strata unit, outward.
I absolutely love the hand of the peppered shot cotton. You can see a bit from the photos, how the warp and weft vary slightly from one another, since I cut the side and top borders the same way. The warp and weft show slightly differently. If this bothers you, pay attention to keeping the warp and weft oriented consistently in your border strips.
Shot cottons have a looser weave, in most cases, than quilting cottons, and in my experience can shift more when quilting. As you may know, spiral quilting using a small home sewing machine requires a great deal of pushing and pulling through the machine throat and can result in a bit of distortion in a loosely woven fabric, especially if the quilt back is a quilting cotton which does not shift quite as much.
Even with some re-basting and unpicking, I ended up with some small tucks on the back of the quilt. I have done spiral quilting on largish quilts, like the Tiny Log Cabin quilt, with no problem, so I surmise it the shot cotton made the difference. I think straight-line in a single direction or free motion quilting would have gone over much better, but the manipulation required by spiral quilting a large quilt (60 x70) was not the best choice for the peppered shot cotton fabric.
Lesson learned, and hopefully someone will benefit from my experience. The upside is that I get to keep this quilt! I hope to use is as a sample for future classes on monochromatic strata piecing.
I'm linking to the Blogger's Quilt Festival for the first time. Check out the link for so much inspiration.
I decided to make a quilt, as the unit was too large for a pillow. A large amount of negative space, using peppered shot cotton in charcoal, provided a nice space for some interesting quilting. I used matching aurifil thread and my walking foot to create a spiral from the center of the strata unit, outward.
I absolutely love the hand of the peppered shot cotton. You can see a bit from the photos, how the warp and weft vary slightly from one another, since I cut the side and top borders the same way. The warp and weft show slightly differently. If this bothers you, pay attention to keeping the warp and weft oriented consistently in your border strips.
Shot cottons have a looser weave, in most cases, than quilting cottons, and in my experience can shift more when quilting. As you may know, spiral quilting using a small home sewing machine requires a great deal of pushing and pulling through the machine throat and can result in a bit of distortion in a loosely woven fabric, especially if the quilt back is a quilting cotton which does not shift quite as much.
Even with some re-basting and unpicking, I ended up with some small tucks on the back of the quilt. I have done spiral quilting on largish quilts, like the Tiny Log Cabin quilt, with no problem, so I surmise it the shot cotton made the difference. I think straight-line in a single direction or free motion quilting would have gone over much better, but the manipulation required by spiral quilting a large quilt (60 x70) was not the best choice for the peppered shot cotton fabric.
Lesson learned, and hopefully someone will benefit from my experience. The upside is that I get to keep this quilt! I hope to use is as a sample for future classes on monochromatic strata piecing.
I'm linking to the Blogger's Quilt Festival for the first time. Check out the link for so much inspiration.
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