Modern Appliqué Table Runner

My latest experiment with improv appliqué is perhaps the simplest of all - organic ovals not unlike stacked river stones. Each shape was cut by eye and appliquéd in place with matching thread. The fabrics are all shot cottons, and their shimmering colors are hard to capture in photographs. While not a strict gradient, the colors are arranged to shift harmoniously from one to the next. I think the design is at once bold and peaceful.

To add texture, I quilted the runner densely with organic straight lines in creamy Aurifil 50 weight thread. Keeping the focus on the appliqué, I bound the runner in the background fabric which makes it nearly disappear.

The runner finishes at 16 x 49, and this unique art piece is available in my etsy shop.

Improv Appliqué Pillow

My latest improv appliqué piece was inspired by dried coral. I wanted to create a shape that mimicked its organic curves, specifically the holes within the coral. The technique I used was the same as my previous improv appliqué pieces (cutting the appliqué shape by eye, basting it a quarter inch from the edges onto the background, and using needle turn to sew it down), with the addition of careful basting around the shapes to be cut out within the larger appliqué shape. I cut the holes one by one as I appliquéd them in order to maintain the structure of the piece and avoid distortion. I'm really pleased with how flat I was able to keep the piece using this strategy.

I had a false start with the quilting, trying out some ocean-like waves which went awry. I set it aside for a while and ignored the impulse to put the whole thing in the trash can. After a couple hours of laborious unstitching, I decided to create a dense, random crosshatch. I love the texture, and the bonus of dense quilting for an appliqué piece in particular is how durable it makes the pillow.

Another change from my original design is the shape of the finished pillow. I started with a square, but I didn't like how the appliqué shape moved across the square. It works so much better as a rectangle, although it hurt a bit to lop off a good 6 inches. It was worth it in the end, as the piece achieves just what I set out to make - a natural, serenely flowing shape.

You can find this unique, quilted pillow in my etsy shop.

Lines in the Sand Placemats

This set of eight placemats was meant to be a Christmas gift. I'm only a couple of weeks late, so it still counts, right?

I used Alissa Haight Carlton's Lines in the Sand pattern. You can download it for free here. They are really quick to sew up, but a hint if you'd like a fast finish - don't quilt them the way I did. Straight lines, a quarter inch apart, for the quilting took some time. Of course the benefit of dense quilting is amazing texture and a placemat with some body to it. I used grey Aurifil thread on the black Essex linen background and a light green Aurifil thread for the stripes.

I used the same linen for the binding, which was a bit thicker than I'd prefer. I do like the way it lets the stripes shine, though. A gorgeous green Carolyn Friedlander print is perfect for the backs.

After binding all eight by hand, I feel like I've bound a queen sized quilt. I haven't done the math, but the perimeters together might come close. I finally wrapped up that hand sewing late last night. Oh well, being late just means I have any early first finish of the new year!

Memory Pillow

From the scraps of the memory quilt I made last year, I created a simple, 18 x 18 improv pillow for another family member. Strip sets are a great way to use a variety of prints.

I quilted it with straight lines to keep the focus on the fabrics, which were cut from men's dress shirts.

This type of design works just as well oriented in horizontal or vertical stripes. It's a quick project that will be meaningful to the recipient.

Scattered Colors Table Runner, Custom

I was commissioned to make a Scattered Colors Table Runner with teal and mustard solids. I used mostly shot cottons on a peppered cotton background in charcoal.

This is a really quick project if you need a housewarming or hostess gift. It's also a great pattern to double. Like cookies, it is just about as easy to make two as it is to make one, while you've got all the strips out. You can find the pattern for this runner in Improvising Tradition.

I grabbed a few shots of the runner in the golden morning light.

Quarter Log Cabin Pillow

This project started with some leftover strips from a couple of projects that were sitting on the side of my cutting table looking like they belonged together. I use the strips to make a couple of improv quarter log cabin blocks, and I liked them. I made a couple more. Together these four blocks, deliberately mismatched, create a wonky, disjointed whole. It was a casual, unintentional project that just sort of happened. Sometimes those are my favorite kind.

I made the blocks into a pillow with some straight line quilting, a mustard back with zip closer, and a flanged binding.

The plum and mustard fabrics feel like fall to me. The pillow finishes at 20" square.

Quick Fall Table Runner

There's no denying that fall is my favorite season, especially since becoming a Midwesterner. There is just so much to do outside as the air turns cooler, and every weekend hosts a slew of possibilities for family activities. Trips to the apple orchard as well as the pumpkin patch are on my must do list every year. September is quite possibly the best month of fall too, so today is the perfect time to share my latest fall make. The inspiration for this piece is a runner I pinned years ago. (I've been made aware that the maker, Emily, has since created a pattern for the runner which you can find here.) This table runner came together very quickly; I didn't use a pattern. I pulled out my 2 1/2" scrap strips and a lovely grey woven solid and created mirrored chevrons using the same method for creating the improv angles I describe in my book Improvising Tradition for the Shattered Chevrons quilt. 

I paired simple straight line quilting to accentuate the chevrons with a bit of free motion quilting in the center of the runner. The same Aurifil thread worked beautifully for both. I like to use 50 weight for quilting because of how it sinks into the fabric while still creating a lovely texture.

For the back I used an Anna Maria Horner print that I really love. I think runners should be reversible whenever possible, so this side will work well for table decoration when I need something a bit simpler.

MarimeFaux Wall Hanging

You may recognize the inspiration for this piece as a print by Marimekko. It was a very large scale print; I'm guessing the motif was a yard across. Recently the design has resurfaced as a special line at a certain big box store and can be purchased on items like napkins and boogie boards. I guess you could say I'm on trend, but I've actually been working on this this needle turn applique wall hanging for over a year, finishing it just in time to photograph it in some beautiful spring weather.

I developed a new technique to create the design, something of a cross between Hawaiian applique and cutting paper dolls. I folded the fabric several times and cut out the motif using a template I designed. The result is not quite as smooth as I would like, but the slight irregularity of the shapes is somehow pleasing.

I finished the piece with straight line quilting and a faced binding, made following this tutorial.

I'm currently revisiting this technique in a table runner and print fabrics. I've adjusted the technique to fold and cut freezer paper to create a full size template to apply to the fabric, rather than cutting the fabric itself folded. This has allowed me to make smoother curves and more regular shapes. I hope that project will be finished more quickly than this was.