Textile Art

It's been a while. Good to be back to my creative space. I've got a bunch of textile art pieces floating around in my head. They are small and perfect for experimenting with new ideas - nearly instant gratification. And I love how graphic these small ideas in fabric can be when framed simply.

Here's the first brought to life - inspired by the fluid, organic shape of kelp. The negative space is just as engaging as the kelp itself.

It's just as I imagined it. That's what I love most about creating original designs in fabric. 

I made this piece using the same improv applique method I have been using for the past couple of years. I really enjoy the process of cutting and sewing by eye, rather than using a template. The variations of shape and serendipity of design that result are so interesting.

More to come. This one is in my etsy shop. 

As an aside - sadly etsy has been overrun with mass produced items under the guise of "production partnerships" and "vintage" items. There are still lovely handmade items to be found, but you have to dig around to get to them. Let me know of any better platforms for handmade items, please. Back soon, I hope.

Modern Appliqué Table Runner

My latest experiment with improv appliqué is perhaps the simplest of all - organic ovals not unlike stacked river stones. Each shape was cut by eye and appliquéd in place with matching thread. The fabrics are all shot cottons, and their shimmering colors are hard to capture in photographs. While not a strict gradient, the colors are arranged to shift harmoniously from one to the next. I think the design is at once bold and peaceful.

To add texture, I quilted the runner densely with organic straight lines in creamy Aurifil 50 weight thread. Keeping the focus on the appliqué, I bound the runner in the background fabric which makes it nearly disappear.

The runner finishes at 16 x 49, and this unique art piece is available in my etsy shop.

Midmod Improv Appliqué Pillow

Okay, so I'm just going to say up front that I am so excited about this pillow. I think it is the coolest thing I have made in a long time, and the technique has so many possibilities, my mind is whirring with what to make next.

Like the pillow I made recently, this is improv appliqué, meaning I cut all the shapes by eye, without templates. I riffed off the square in a square design but added a mid century modern twist with the rounded edges. It turned out just as I intended.

The pillow gave me a chance to try matchstick quilting over appliqué, and I'm happy with the result. The texture is great, and it doesn't overwhelm the design underneath, possibly because I used bold colors. I finally used Living Coral, the Pantone color of the year. Nice.

I will say this 16 x 24 piece took forever, as it is all hand appliquéd, needle turn, using my favorite Aurifil 80 weight thread. The matchstick quilting isn't quick either. But it was all worth it to me. I really love this. Having said that, the bit I enjoy is the making, rather than the owning. If you'd like a chance to add this functional art to your home, it is available for sale in my etsy shop. I doubt I'll make another, so this is a one of a kind piece!

Improv Appliqué

In the interest of creating a hand sewing project for a recent road trip, I put together a small improv appliqué experiment. I cut the appliqué fabric by eye into rough atomic shapes, and pinned them in place. After basting them down, it was just a matter of some leisurely needle turn appliqué in matching 50 weight Aurifil thread. I didn't have 80 weight in the right color, but if you have time to source it, 80 weight is a dream for appliqué.

I wanted to keep the impact of the appliqué shapes, so I chose not to quilt on top of them, echo quilting instead about an 1/8th of an inch from the edge. Then I filled in the background with a free motion figure eight shape to make the appliqué really pop.

I interfaced the back of the pillow and finished it with a lapped zipper, which is my favorite type of closure. The pillow finishes at 18 x 18. It truly one of a kind, although I may be inspired to do a series with slightly different shapes.  What a fun way to make appliqué improv. I encourage you to try it, and if you are interested, the pillow is in my etsy shop.

Appliqué Table Runner

This project has certainly been in the works for a long time (Instagram tells me I started is this past spring). I decided to take my time with it, which I think is the best way to approach needle turn appliqué. A variation on my MarimeFaux wall hanging, this 20" x 51" table runner uses a slightly different template but the same folding, cutting, and appliqué technique. The method is a cross between cutting paper dolls and Hawaiian appliqué, and its one I’d like to continue to explore.

Instead of the high contrast black and white solids, in this variation I played with fabrics that blur the boundaries between appliqué and background. It's a trick I used in improv piecing, and I think its so interesting in this application.

 

Once the appliqué was complete, the project stalled for a while as I tried out different quilting patterns. I settled on a free motion figure eights, as you can see. If I had it to do again, I think the modern design and fabric would be better complimented by simple, matchstick quilting.

I enjoyed the process of making this quilt, from the template creation, to folding and cutting, and appliqué. The quilting went quickly on the machine, but the facing did take some time. I think it is more tedious than binding, but some quilts really demand one.

I think I’ll experiment more with this technique, perhaps on a smaller scale.

MarimeFaux Wall Hanging

You may recognize the inspiration for this piece as a print by Marimekko. It was a very large scale print; I'm guessing the motif was a yard across. Recently the design has resurfaced as a special line at a certain big box store and can be purchased on items like napkins and boogie boards. I guess you could say I'm on trend, but I've actually been working on this this needle turn applique wall hanging for over a year, finishing it just in time to photograph it in some beautiful spring weather.

I developed a new technique to create the design, something of a cross between Hawaiian applique and cutting paper dolls. I folded the fabric several times and cut out the motif using a template I designed. The result is not quite as smooth as I would like, but the slight irregularity of the shapes is somehow pleasing.

I finished the piece with straight line quilting and a faced binding, made following this tutorial.

I'm currently revisiting this technique in a table runner and print fabrics. I've adjusted the technique to fold and cut freezer paper to create a full size template to apply to the fabric, rather than cutting the fabric itself folded. This has allowed me to make smoother curves and more regular shapes. I hope that project will be finished more quickly than this was.

Twirligigs Quilt - Scraps, Inc. Volume 2 Blog Tour

If you've visited my blog more than a couple of times, then you know I *heart* sewing with scraps. It's my favorite way to make quilts. My quilt, Stripes Earned, from Scraps, Inc. Volume 1 featured scraps strips in a very masculine palette in keeping with the military inspiration. When I was asked to contribute to Volume 2, I took the opportunity to make a quilt with feminine curves and a saturated, analogous color palette.

The name Twirligigs came from the hanging, spinning garden ornaments that twirl in the breeze. I made the quilt using freehand arcs, sewn by hand using needle turn applique to strips of natural Essex linen. The improv shapes and offset placement of the curves in the columns creates the effect of spinning, cascading spirals. It's just a lot of fun. The bold, graphic shapes work best with saturated fabrics like I chose, but the quilt could take on an entirely different feel done in low volume prints on a dark background. The contrast is key.

Nydia Kehnle did the photography for Scraps, Inc. Volume 2. The urban setting she chose is such a fun contrast to the softness of the quilts. I often struggle with  photographing my quilts in interesting ways, and Nydia has done a beautiful job. The book has a fresh and hip feel, as do the scrap quilts in it. The book features 15 scrappy quilt patterns, each by a different designer.

Lucky Spool has kindly offered a copy of Scraps, Inc. Volume 2 for me to giveaway. For a chance to win, leave a comment on how you like to photograph your quilts, or the type of photos you enjoy most. I will chose a winner at random on Thursday February 11th at noon. Giveaway now closed, but you can purchase a copy at 30% off the list price here until February 16th. Just use the code Scraps30 for the discount.
Check out more stops on the Scraps, Inc. Volume 2 blog tour for more chances to win! You'll get a sneak peek at all the quilts in the book.

 

Monday, February 8 Amy Smart, Diary of a Quilter Nydia Kehnle, Nydia Kehnle Design + Photography
Tuesday, February 9 Amy Friend, During Quiet Time Alexandra Ledgerwood, Teaginny Designs Wednesday, February 10 April Rosenthal, April Rosenthal - The {Studio} Blog Dorie Schwarz, Tumbling Blocks
Thursday, February 11 Erin Harris, House on Hill Road Janice Ryan, Better Off Thread
Friday, February 12 John Adams, Quilt Dad Kari Vojtechovsky, Craft Happy
Saturday, February 13 Katie Blakesley, Swim Bike Quilt Kati Spencer, From the Blue Chair
Sunday, February 14 Melissa Lunden, Lunden Designs Allison Harris, Cluck Cluck Sew Sherri McConnell, A Quilting Life  

Finished Aerial Grove Quilt

I finally hand stitched the last few inches of binding on my Aerial Grove quilt this morning. I have put so, so many hours of work and love into this quilt, from the hand applique to the intense improv quilting. I'm happy to say I'm keeping it! You can read more about the early stages of making this quilt here, where I wrote about my infatuation with this pattern from Carolyn Friedlander's book, Savor Each Stitch.

My favorite part of making this quilt is also my favorite feature in the finished quilt: creating the color gradation in the hand appliqued squircles (squarish circles). Varying the value of the fabrics in each gradation makes the design fade in and out and complicates the simple rows of shapes, especially from a distance.

The most challenging part of making the quilt was actually the quilting. I wanted to create an organic crosshatch around the squirlces, leaving them to puff out a bit, rather than quilting over top of them. In order to avoid stopping and starting at the edge of each applique shape as I would need to do with a walking foot, I used my free motion foot to simply quilt around each one and continue the line on the other side. As you can imagine on a large quilt, this made my crosshatch quite wonky indeed, but since the whole aesthetic of this quilt is improvisational and organic, I'm not unhappy with it at all.

Quilting the neutral sections of the quilt was also challenging as I continued to try to create straight-ish lines with the free motion foot to make rows and columns of various sizes, meant to be reminiscent of gardens or fields as seen from above, much like Carolyn's original quilt.

This pattern is my favorite kind: general directions and thorough instructions of technique, together with plenty of ways to make it your own.

Aerial Grove Quilt, Modern Improv Applique

I've been smitten with the Aerial Grove Quilt from Savor Each Stitch by Carolyn Friedlander since I first saw it in person when she spoke to my guild. The quilt is just beautiful. So, when Pat Sloan asked me what quilt I most wanted to make in 2015, I had an easy answer. There's nothing like committing on live radio for motivation.

I knew I loved the quilt, but I didn't expect to love making the quilt as much as I have. I don't make quilts from a pattern very often because I don't enjoy prescriptive sewing as much as improv. This project is the perfect marriage of the two.

Each "squircle" is cut freehand, from a folded piece of fabric, making each shape unique. I love that the applique shapes are improvised rather than cut from a template.  Because the shapes are irregular, there is no need to stress about making them identical as you sew them to the background strips using a needle turn applique method. The shapes are organic, coming from the inspiration of a grove of trees, as seen from above in an airplane.

Creating columns of shapes encourages color and value play. You can create color gradations or rhythms with the value of the fabrics you choose. The more fabrics, the more play; scraps welcome. There's a lot of room for adding your own voice to the quilt. Search the hashtag #aerialgrovequilt to see lots of version on Instagram (Not on Instagram? Get on! There is a treasure trove of quilting inspiration to be found.).

The project is also great because it is very portable. I worked on the applique panels during my sons' practices, and it was finished inside of a month! I was surprised how quickly it came together.
I'm working on the improv background this week. I chose to make the quilt throw size, but the book has options for several sizes, from table runner to queen size.

I'm a huge fan of Carolyn Friedlander's patterns and aesthetic. I think it takes a unique mind and sense of style to create applique that modern, fresh, and compatible with an improv approach. Frankly, she's a genius. I've loved the process of this quilt every step of the way.

Happy Christmas

Mirrored Sunset is a wall hanging from the strata section of Improvising Tradition.  It illustrates just how versatile strata can be.  In this project I used strata as the background for a Hawaiian applique, inspired by mid century starburst mirrors.  The depth of the strata comes from the Oakshott cottons.  I've used them before, and these shot cotton fabrics are just gorgeous in person.  The different colored threads woven as the warp and weft create an amazing shimmer.  I chose my fabrics from the Oakshott Ruby bundle.

photo by Joe Hancock

In these colors, it strikes me as very Christmassy - almost like a snowflake.  Happy holidays this week everyone!